Motherland
Role: Research/Animation Director/Physical Set Design
Client: Ruth Patir
Year: 2022-2025

Motherland (2023) is a large-scale video installation by Ruth Patir, exhibited at the Israeli Pavilion of the 59th Venice Biennale. The work interrogates national myths, reproductive politics, and feminine agency through a blend of humor, discomfort, and speculative media.
I was responsible for nearly all of the animation in the project, the culmination of a five-year process of technical research, visual experimentation, and creative collaboration. From initial pipeline development to final renders, I oversaw every stage of the animation process — shaping the visual language, rigging and animating characters, and ensuring the aesthetic and emotional coherence of the entire body of work.
Beyond the on-screen result, I also documented key behind-the-scenes processes — including performance captures and rehearsal sequences — which fed back into the project’s evolving form. The final installation is a layered, hybrid experience that blurs the boundaries between the digital and the embodied, the personal and the political.
Credits
Film by Ruth Patir
Animation Director: Jonathan Wasserman
Additional Animation: Yuval Katz, 3 Sisters Studio
Editing: Ruth Patir
Assistant Editor: Noa Simhayof Shahaf, Jonathan Wasserman, Kinar Dar
Music: Zoe Polanski
Sound Mix: Rei Elbaz
Press & Recognition
Israeli Pavilion, 59th Venice Biennale – Selected as national representation
Jewish Museum, New York – Acquired for permanent collection
Tel Aviv Museum of Art – Major solo exhibition 2025
Press:
STIR World – Ruth Patir's crushingly candid work on the burdens of the female body
Financial Times – Beyond boycotts at the Venice Biennale
The Guardian – Armed guards, reparations and the lives of others: Venice Biennale 2024 – review
The Art Newspaper – Israeli Pavilion show returns to Tel Aviv Museum after Venice
New York Times- Jewish Museum Acquires Never-Shown Entry to Venice Biennale
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